14号地块所处区位不仅仅是卧龙村美学的体现，它更是整个村庄景观营造的核心与亮点。地处近海亭的正对面，与之隔水相望，设计巧妙地塑造近海亭视觉焦点，营造出一种叙事空间。
构建了一个舞台背景式的花园空间，让近海亭化为观众席，将场地本身转化为一幅生动的背景，再现了卧龙村已渐行渐远的日常生活场景和那些温暖人心的“烟火气”。
通过微景观改造的手法，巧用像素化的不锈钢造型，叠加反射，捕捉并映照出周围的景色与变幻的光影。设计不仅增强了观赏性，还使得场地本身成为了一个充满故事性的互动舞台。
动态的木节人形，或“斗鸡”，或“滚铁环”，或“跳房子”，不动声色中勾起了人们内心深处的回忆与乡愁。植物的选择上，优先考虑了原生在地的植物，通过其自然生长的状态与精心梳理，创造出一个既能观赏、互动打卡，又具有在地性和可持续发展特征的景观。
设计使得场地不仅仅是一个静态的美化空间，更是一个活生生的文化记忆与社区活动的结合体。设计是一次对过去与现在的深刻对话。它不仅仅提供了一个观赏的场所，更是一个让人们参与和体验的空间。
这里的每一个角落都充满了故事，每一个细节都透露出乡土文化的气息。它是卧龙村的心脏，也是村民情感的寄托，是一个让人们在日常喧嚣中找到片刻宁静和回忆童年的地方。
The location of Plot 14 is not only the embodiment of Wolong Village aesthetics, but also the core and highlight of the entire village landscape.It is located directly opposite the offshore pavilion, across the water, and the design cleverly shapes the visual focus of the offshore pavilion to create a narrative space.A stage-backed garden space is constructed, which makes the offshore pavilion into an audience seat, and transforms the site itself into a vivid background, reproducing the daily life scenes of Wolong Village that have gradually faded away and those warm "fireworks".Through the method of micro landscape transformation, the pixelated stainless steel model is skillfully used, superimposed reflection, capturing and reflecting the surrounding scenery and changing light and shadow.The design not only enhances the ornamental value, but also makes the site itself a interactive stage full of stories.The dynamic wooden figure, or "chicken fighting", or "rolling ring", or "jumping house", quietly evokes people's deep memories and homesickness.In the selection of plants, native plants are given priority to, through their natural growth status and careful comb, to create a landscape that can be both ornamental and interactive, and has the characteristics of local and sustainable development.The design makes the site not only a static beautification space, but also a living combination of cultural memory and community activities. The design is a profound dialogue between the past and the present.It not only provides a place to watch, but also a space for people to participate and experience. Every corner here is full of stories, and every detail reveals the flavor of local culture.It is the heart of Wolong Village, and the emotional sustenance of the villagers. It is a place where people can find a moment of peace and recall their childhood in the daily hustle and bustle.
云南艺术学院始建于1959年，其前身可追溯到1938年西南联大的文化生活部和师范学院，是我国西南地区一所特色鲜明、艺术门类齐全的综合性高等艺术院校，是全国8所综合性普通本科高等艺术院校之一。学院始终始终遵循“继承传统、学习民间、兼容中外、服务社会”的办学理念，秉承“海涵地负、继往开来”的学校精神，“务实、求新、尚美”的校训，立足于云南得天独厚的地理区位优势和文化资源优势，主动服务和融入国家和云南发展战略，致力于把学校办成具有国际影响和特色鲜明的国内一流高等艺术院校。环境设计专业创办于1985年，是云南省最早设置的本科环境设计类专业方向，（首批）国家一流专业建设点。专业定位中南半岛山地文化区一流环境设计专业，人才培养模式上通过打通专业方向壁垒，建筑、景观、室内三位一体，聚焦地域文化与现代设计、人居环境设计、可持续设计、响应性环境设计、历史遗产保护与利用、服务设计、特色城镇创新设计、商业与创新设计的应用研究导向，围绕人——环境空间——社会系统培养多元化的优秀设计人才。
Yunnan Art University was founded in 1959, its predecessor can be traced back to the 1938 Southwest United University of the cultural life department and the normal college, is a distinctive, complete art categories of comprehensive higher art colleges in southwest China, is one of the eight comprehensive ordinary undergraduate art colleges in China. The college has always followed the "inherit the tradition, learn from the folk, compatible with China and foreign, service society" philosophy, adhering to the "connotation of the earth, carry forward the past and open up the future" spirit of the school, "pragmatic, innovative, beautiful" motto, based on the unique geographical location and cultural resources advantages in Yunnan, actively serve and integrate into the national and Yunnan development strategy, is committed to building the school into a first-class higher art colleges with international influence and distinctive features. Environmental design major was founded in 1985, is the earliest set of undergraduate environmental design major direction in Yunnan Province, (the first batch) national first-class professional construction points.The professional positioning is a first-class environmental design major in the Indochina Peninsula Mountain Cultural Zone, and the talent training model focuses on the applied research orientation of regional culture and modern design, human settlements environment design, sustainable design, responsive environmental design, historical heritage protection and utilization, service design, characteristic town innovation design, business and innovative design, and cultivates diversified excellent design talents around the people-environment-space-social system.
