无论是物种，还是文化，它出现、演进、繁盛、到消失。站在海晏村，看着存留的文化痕迹，查阅着云南近期才消失的特有物种:大鳞白⻥、异⻰鲤、滇池蝾螈......便想用此地的传统文化元素，重现这些消失物种的身影——它们曾经来过，它们现已消失，而我们不曾忘记。作品采用数字媒体形式，在古建的内墙空间投下影像，那些消失的美和生灵再现，舞动，告别。

No matter if it is a species, or a culture, it appears, it evolves, it flourishes, then it disappears. Standing in Haiyan Village, I watch at the left cultural traces, and the list of endemic species which disappeared recently: Anabarilius macrolepis, Yilong-lakecarp, Cynops wolterstorffi ...... the figures of these species that disappeared in Yunnan recently, will be reproduced with the local traditional cultural elements. They were once here, the now disappeared, yet we shall never forget.

With the digital media, the images will be projected onto the interior walls of an old building - the disappeared beauty and the reappearing creation, dancing, waving goodbye.

陈冰宜

注册建筑师，插画家。

出生于1980。

毕业于中国美术学院环境艺术专业。 

作品曾参展法国圣艾蒂安双年展、上海（安亭新镇）室内设计艺术大展并获优秀作品奖。编著《卡通教程》，由上海人民美术出版社出版。参与设计动画系列片KUKUBear卡通原型；电视栏目《36.7C》IP形象设计；BONDA系列动画插画设计、设计布袋熊品牌IP形象等。

Chen Bingyi

Registrated architect, illustrator.

Born in Beijing 1980.

Graduated from the Environment Art Department of China Academy of Art.

Her work was presented in Biennale Internationale de Design de Saint-Étienne, also was awarded Excellent Works of Shanghai (Anting New Town) Interior Design Exhibition. Chen is the compiler of Cartoon Tutorial which was published by Shanghai People's Fine Arts Publishing House. She was in the design group of the animation series KUKUBear, the animation series BONDA, the TV show 36.7°C IP character, and the branding Bdbear IP character.

宋岳峰

上海电影家协会会员。

2003毕业于中国美术学院视觉传达系。

生于上海，自幼学习绘画。自1999年开始进行数字艺术创作，作品和文字多次在国内外奖项和权威杂志上发表，是中国电脑动画发展初期的活跃分子。他在创业期间，不断进行原创动画的尝试，第一部原创电影项目《超级菜》入围2011年金马影展创投，是大陆动画项目首次入选金马影展创投。他的长片《龙之谷：破晓奇兵》于2014年大陆上映，并陆续在40余个国家上映发行。第二部长片《精灵王座》于2016年在大陆上映，两部作品的豆瓣评分分别为7.7、8.0。

Song Yuefeng

Member of Shanghai Film Association.

2003 Graduated from the Visual Communication Department of China Academy of Art

Born in Shanghai, Song has learnt painting as a child. He has been working at the creation of digital art since 1999. As a pioneer in the early days of computer animation in China, Song's articles were published in the influential magazines and his works won many awards at home and abroad. During his startup, he kept working on the original animation. His first original animated film Chaoji Cai was shortlisted for the Golden Horse Film festival venture in 2011, it was the first selected Chinese mainland animation. In 2014, his feature-length animated film Dragon Nest: Warriors' Dawn was released in China, later in more than 40 countries. His second  feature-length animated film Throne of Elves was released in 2016, On China's largest filming rating site, Douban, the two films have scored to part was 7.7 and 8.0.