作品灵感来源于七八十年代滇池的风光和生活场景。烟波浩渺的滇池、雾气氤氲的西山、舟密布的篆塘码头、滇池边的钓叟、渔翁、游泳者...这些定格在记忆中的风景和人都交织成了这座城市的乡愁。作品采用高密度网状不锈钢网为材料，编织一片橙色的“海”，既是编织一代代昆明人的乡愁，也是对老滇池 (母亲湖) 过往与记忆的诗性表达。

This artwork is inspired by scenes of Lake Dian from the 1970s and 80s. The ripples on the lake, the mists wafting over the Western Hills, the densely-packed boats of Zhuantang Wharf, the men and women fishing and swimming along the shore—these landscapes and living scenes have been fixed in memory to weave the nostalgia of this city. This artwork weaves dense stainless-steel webbing into an orange “sea,” weaving the nostalgia of generations of Kunming residents, and a poetic expression of the memories of old Lake Dian (our mother lake).

吕丽蓉，毕业于云南艺术学院雕塑系，中央美术学院理查德.迪肯当代雕塑高级研究班成员，目前在云南艺术学院任教。曾受邀参展：“摩梭Moso：家庭.婚姻.对话展”、“造物心艺”、“云南女性艺术作品展”、“‘型·不型’六人雕塑作品展”、“北京‘明知山有虎’群展”、”多维物当代雕塑理查·迪肯当代雕塑高级研究班作品展”等艺术展。

Lü Lirong graduated from the Yunnan Arts University Sculpture Department and attended the Richard Deacon Sculpture Seminar at the Central Academy of Fine Arts. She currently teaches at Yunnan Arts University. Select exhibitions: Moso: Family, Marriage, Dialogue, Yunnan Provincial Museum; The Heart of the Matter: Yunnan Women’s Art Exhibition, Kunming; IWE Art Museum, Kunming; To Shape or Not to Shape: Six Person Sculpture Exhibition, IWE Art Museum, Kunming; Tigers in the Mountains, Beijing Zoo, Beijing; and the Richard Deacon Sculpture Seminar Exhibition, Beijing.