"艺海晏"——是1937年昆华女中在海晏村成立的文艺剧社社名。"海晏时期的昆华女中"是我此次艺术项目创作的灵感之一。滇池落日，海晏清河，越是注视那一道道涌向岸边的波光，越是对那往昔岁月里鲜活女孩儿们的想象浓烈。仿佛只要我专注去听，就会有她们的嬉笑声；仿佛只要我猛抬头，就能看见她们逆光中的脸庞。女孩们把生命里最美好的一段年华留在了这里。海晏村，她稳稳地接住了她们。

"境花园"——彩云之南，是个大花园 。广阔至云南全境，微小至海晏一村。花香花色蒙养爱花之人，花之故人是曾来到海晏学习生活的昆华女中学生；花之今人是屡次返回海晏完成艺术季作品的艺术家们。

此次滇池风土艺术季的创作灵感便来自于以上这两个内容，作品结合了陶艺、剪纸与镶嵌工艺。

"Art Haiyan" is the name of the literary and drama club established by Kunhua Girls' Middle School in Haiyan Village in 1937. "Kunhua Girls' Middle School in Haiyan Period" is one of the inspirations for my art project. Sunset in Dianchi Lake, Haiyan River, the more I look at the waves rushing to the shore, the more I imagine the vivid girls in the past years. As if as long as I concentrate on listening, there will be their laughter; as if as long as I look up, I can see their faces in the light. The girls have left the best part of their lives here.Haiyan Village, she has firmly caught them. 

"Garden" -- South of the clouds, is a big garden.The vast to the entire territory of Yunnan, small to Haiyan Village. The flowers and flowers raise people who love flowers, the flowers of the past are the Kunhua Girls' Middle School students who have come to study and live in Haiyan; the flowers of the present are the artists who have repeatedly returned to Haiyan to complete the works of the art season.

The creative inspiration of the Dianchi Art festival comes from the above two contents. The works combine pottery, paper-cut and mosaic technology.

良亮人

视觉艺术家，策划人，边境舞者

毕业于中央美术学院附中，北京电影学院

LiangLiangRen

Live & Work in Beijing , China

Visual Artist, Planner, Border Dancer

Graduated from 

Central Academy of Fine Arts, 

Beijing Film Academy

【艺术创作简述】

良亮人的艺术创作由早期的实验动画转向纸艺装置，如今延伸至公共艺术领域。创作多以“民间信仰”、“少数民族图腾”、“身体与环境的关系”以及意识边界为主题。通过事物间相互激发的偶然性，构建新鲜的视觉效果 。如今她的艺术实践更多在于理解“时间”，在空间里（注重在地性）建立与时间（注重当下性）匹配的创作模式，以呈现艺术、艺术之行为与艺术工作者自洽的存在特质——“良善”的质地。

  My artistic creation has shifted from early experimental animation to paper art installations, and now extends to the field of public art. Most of his works focus on the themes of "folk belief," "minority totem," "the relationship between body and environment" and the boundary of consciousness. Through the chance of mutual excitation between things, to build a fresh visual habit. Today, my artistic practice is more about understanding "time," establishing a creative mode in space (focusing on locality) that matches time (focusing on the present), so as to present the quality of "goodness," the self-consistent existence of art, artistic behavior and art workers.