此次滇池风土艺术季的作品超乎所有其它艺术创作，是各方庞杂的沟通协调合作的结果，沟通协调合作存在于政府同级部门之间、上下级之间、政府与策展团队之间、策展团队与策展团队之间、策展团队与策展人之间、策展人与策展人之间、策展人与艺术家之间、艺术家与艺术家之间、艺术家与工作人员之间、工作人员与工作人员之间、艺术家与村民之间，村民与村民之间等等，（接龙还可继续，）各个环节都会对作品的呈现发生作用。当我们面对一件艺术季作品时，看到的绝不是艺术家个人的创造，它凝聚着所有上述环节的参与者的心血与努力，有成功的喜悦，也有不足的遗憾。

The art works in Dianchi Art Season different from all other art creation, are the result of complicated communication and coordination and cooperation, communication, coordination and cooperation between government departments and departments, superiors and subordinates, government and curator team, curator team and curator team, curator team and curators, curators and curators, curators and artists, artists and artists, artists and staff, staff and staff, artists and villagers, villagers and villagers, etc. (the solitaire can continue,). Each link would have affected the works. When we face a piece of work in this art season, what we see is not the only the creation of the artist. It embodies the painstaking efforts of all the participants in the above links, with the joy of success and the regret of shortcomings.

山水场域  诗意盎然  “蘋香波暖泛云津，渔枻樵歌曲水滨。天气常如二三月，花枝不断四时春。”明朝诗人杨慎在描写滇池之美的《滇海曲》中， “蘋香波暖”写出滇池的风物及气候，“渔枻樵歌”则生动地捕捉了滇池周边原住民的生活情景。“天气常如二三月，花开不断四时春，”则把一个“春城”的命名，赋予了昆明。能够在我们母亲湖滇池之滨，举办“家园和未来”为主题的“2024滇池风土艺术季“是昆明人的幸事。能够在艺术季的捞渔河版块策划这个部分的艺术展，也是我个人的荣幸。我希望通过参展的二十四位艺术家的艺术创作，在乡愁与家园、生活与生态、艺术与自然中创建一种新的可能性，引发人们对滇池前世今生的共同关注和思考。 捞渔河公园的蜕变是滇池周边生态环境改善的一个缩影，以捞渔河湿地公园为核心的湿地艺术版块，主要践行了以艺术唤醒情感并督促生活在滇池周边的人群付诸行动，通过艺术创作呼吁全社会共同参与到滇池环境保护的行动中来。 参与捞渔河版块展览的艺术家有从昆明出发的艺术家：张晓刚、曾晓峰、唐志冈、罗旭、刘建华、李季等；有在昆明生活、成长的一代艺术家如：程新皓、郭棚、张华、虞华、薛滔、赵光晖、李东海、吕丽蓉等；也有活跃于中国艺术界的来自北京、上海等地的青年艺术家：童昆鸟、曹舒怡、冯至炫、杨心广、胡为一、周轶伦、王梓全、贺晶、龙盼、聂芯迪等等。他们的作品在一个诗意盎然的山水场域里，与草木和水杉林相生相扣、栖息互存，也将为观众打开关于故园乡愁在日常之下的多重解读维度。 通常来说举办大地的艺术季，就是一场是向大地致敬的盛典。不同于发生在云南的其他形式艺术展览、“滇池风土艺术季”之捞渔河版块，关于西山与滇池之间的叙事，是居民在共生环境里的一个快乐节日。因此，我们特别强调艺术家创作的“在地性叙事”。只有这样，才能建立艺术作品与环境的真正联系。通过艺术的手法，阐述本地的文化内涵，真正形成与本地居民之间的情感联系。我们也希望通过这种艺术在行动的方式，能够带来一种可持续性，让这种文化的持续挖掘与研究，向着一个良性的方向发展下去。 期待“滇池风土艺术季”能够真正唤起人们对于家园的呵护之情，以及对于未来生活的美好憧憬。 

2024滇池风土艺术季  捞渔河湿地艺术版块策展人

聂荣庆2023,12.9

A Landscape Filled with Poetry

“Fragrant aromas and warm waves waft among the clouds / the water is filled with the sounds of fishermen's oars and woodcutters’ songs. The weather is always like February or March / blossoms and branches blooming in an eternal spring.” Praising the beauty of Lake Dian in his Ode to the Dian Sea, Ming dynasty poet Yang Shen captured the scenery and climate of the area with the words “fragrant aromas and warm waves,” while “sounds of fishermen’s oars and woodcutters’ songs” is a vivid portrait of the lives of the local inhabitants on Lake Dian’s shores. With the line “the weather is always like the second or third month, blossoms and branches in eternal spring,” the poet bestowed Kunming with the name “city of eternal spring.” It is a great joy for the people of Kunming to be able to host the 2023 Dianchi Arts Season on the shores of our mother lake under the theme of “Homeland and Future.” It is my personal honor to be able to serve as curator for the art season's Laoyuhe Wetland Park section. I hope that through the artistic works of these twenty-four participating artists, a new possibility can be created, between homesickness and home, between life and the environment, between art and nature, one which inspires people to join in considering the past and present of Lake Dian. The metamorphosis of the Laoyuhe Wetland Park is a microcosm of the improved environment around Lake Dian. The Wetland Art section of the arts season, centered on Laoyuhe Wetland Park, uses art to kindle compassion and to push the people living around Lake Dian into action, calling on all of society to take part in protecting the lake’s environment. The artists taking part in the Laoyuhe Wetland Park section include artists who have set out from Kunming, such as Zhang Xiaogang, Zeng Xiaofeng, Tang Zhigang, Luo Xu, Liu Jianhua, and Li Ji; artists who came of age in Kunming, such as Cheng Xinhao, Guo Peng, Zhang Hua, Yu Hua, Xue Tao, Zhao Guanghui, Li Donghai, and Lü Lirong; and dynamic young artists based in Beijing, Shanghai, and elsewhere, such as Tong Kunniao, Cao Shuyi, Feng Zhixuan, Yang Xinguang, Hu Weiyi, Zhou Yilun, Wang Ziquan, He Jing, Long Pan, and Nie Xindi. Their works unfold in a landscape filled with poetry, where plants and wetland sequoias come together to form a habitat, and open up multiple dimensions for interpreting nostalgia and homesickness in everyday life.

It is often said that land art festivals are fêtes held in tribute to the land. Unlike other forms of art exhibitions held in Yunnan, the Laoyuhe section of the Dianchi Arts Season is a narrative of everything between the Western Hills and Lake Dian, a joyous celebration for those who live together in this environment. For this reason, we have placed particular emphasis on the creation of “narratives of place.” This is the only way that true connections can be established between the artworks and the environment. Through artistic means, they voice local cultural meaning, and form a true emotional bond with the local people. We also hope that this approach to artistic action can bring with it a form of sustainability, so that this sustained cultural exploration and research can continue to develop in a healthy direction. We look forward to seeing people inspired by the Dianchi Arts Season to truly care about protecting their home, and to look forward to a beautiful future.

Nie Rongqing

2024 Dianchi Arts Season Laoyuhe Wetland Section Curator

December 9, 2023