我就生活在滇池边这座四季如春的城市，她的名字叫昆明。

我热爱这座城市，热爱他的每条街道，每片花园，每个悠闲自在的街角和屋檐。曾经不止一次的想过，要如何表达这份热爱。滇池给了我们这次机会，让我们再次走近她，去发现那些陌生而又熟悉的“风土”故事。

在滇池畔分布着60多个如同捞渔河公园一样的湿地公园，那些在湖畔生长了数十年的中杉，像列队的卫兵，守卫着我们的母亲湖，这介于自然与非自然的壮观景象，吸引着广大市民前来游玩，也成为了链接起滇池和昆明市民的绿色纽带。国内最重要的两位建筑大师刘家琨和柳亦春，都将他们云南的首个作品落地在森林边的广场和道路。他们用充满诗意和建筑之美的观鸟塔和森亭，让市民有机会用不同的身体感受去感知自然之美，年轻的建筑师高长军和张峰，也带来了他们具有挑战性的森林驿站，漫步林中，歇脚之余已然停留在作品之中。这些建筑空间作品也链接起这片水上森林，配合着24位艺术家以自然与环保为主题的作品，这也许就是一片绝无仅有的“水上森林美术馆”。

就在捞渔河湿地旁，保留着滇池边最具活力的传统村落--海晏村，绝美的晚霞把汹涌的人流从网络引到了湖畔的古老村落中，也改变着这个留下各个时代记忆的千年古村落。机遇与挑战并存，“家园与未来”的命题也更加真切和急迫。乡村的保护和发展是需要扎下根去的，我们邀请到国内青年建筑的代表水雁飞以海晏村客事房为依托，以空间为载体去探寻和重构村落的社会网络，本土的建筑师张子炀和周诗皓也用最少的动作提升改造了乡村中废弃和破败的公共空间，来自于上海的建筑师王明波改造的烤烟房，也充满了想象力。期待乡村中的这些作品，能共同构建一幅独属于云南的“好在”生活图景，让游客和村民能“共有”属于他们的未来家园。

在99昆明世博会旧址邀请到数十位知名造园机构，置景艺术家，建筑师共同回应20多年前在这座城市发出的问题“人与自然--迈向21世纪”。

20多年前的盛会，让春城迎来属于自己的高光时刻，也成为探寻“人与自然”和谐共处的典范之城。今天，我们在滇池畔，在森林中漫步和海鸥共舞，用艺术畅享属于我们的下一个20年。

I live by the Dian Lake, in this city of eternal spring called Kunming.

I love this city, every street, garden, leisurely corner and eave. I've often pondered how to express this love. Immersing in the environment Dian Lake has given us this opportunity to discover those stories of local character that are both unfamiliar yet familiar.

More than 60 wetland parks dot the banks of Dian Lake, similar to Laoyu River Park. The Chinese Fir trees that have grown by the lake for decades stand like rows of soldiers, protecting our mother lake. This spectacular scene, between the natural and the unnatural, draws the public for leisure and forms a green bond between Dian Lake and the people of Kunming. Two of the nation’s foremost architects, Liu Jiakun and Liu Yichun, have grounded their first works in Yunnan, on the edge of the forest, along the plazas and roads. With poetic and architecturally beautiful bird-watching towers and forest pavilions, they offer citizens a chance to experience the beauty of nature with different senses. Young architects Gao Changjun and Zhang Feng also present their challenging forest stations for strollers to take brief breaks in the woods. These architectural spaces were created by 24 artists and themed around nature and environmental protection. The architectural spaces integrate with the wetland forest creating a unique 'water forest art gallery.'

Beside Laoyu River wetland lies the most vibrant traditional village on the edge of Dian Lake – Haiyan Village. The beautiful sunset draws a bustling stream of people from the internet to this ancient lakeside village, changing this millennium-old village that stores memories from different eras. Challenges and opportunities coexist, with the theme of "homeland and future" becoming more heartfelt and urgent. The protection and development of the countryside require hard work and commitment to the locals. We have invited the representative of young national architecture, Shui Yanfei, to use the Haiyan Village guesthouse as a basis, using space as a media to explore and reconstruct the village's social network. Local architects Zhang Ziyang and Zhou Shihao, on the other hand, upgraded the abandoned and dilapidated public spaces in the countryside with the least possible modification to the original. The renovated tobacco curing barn designed by Shanghai’s architect Wang Mingbo is also filled with imagination. We hope these works can build a unique picture of Yunnan as a place of “good living”, allowing tourists and villagers to "share" their future homelands.

At the former site of the Kunming World Expo 1999, dozens of renowned landscaping institutions, scenography artists, and architects have been invited to respond to the question posed by this city over 20 years ago, "Human Bing and Nature – Marching into the 21st Century."

The grand event of more than two decades ago brought a shining moment to the Spring City, rendering the city a model for exploring harmonious coexistence of human being and nature. Today, by the Dian Lake, in the forest, let’s express our imagination of what the future will look like in 20 years through the creation of art.

施瀚涛，生活工作于上海。

芝加哥艺术学院艺术管理与政策研究硕士。曾在“上海双年展”、“上海种子”、瑞象馆、新时线媒体艺术中心、上海外滩美术馆等艺文项目和机构中从事展览和公共活动的规划与执行，并在艺术、摄影及艺术体制领域开展研究和写作。

Shi Hantao lives and works in Shanghai.

Master of Arts Management and Policy Studies, Art Institute of Chicago. He has been engaged in the planning and execution of exhibitions and public events in art and cultural projects and institutions such as "Shanghai Biennale", "Shanghai Seed", Ruixiang Museum, New Time Line Media Art Center, Shanghai Bund Art Museum, and has conducted research and writing in the fields of art, photography and art system.